Perfect DCPs–Seamlessly Integrated
AutoDCP integrates seamlessly with Dropbox–just drag and drop. And AutoDCP works anywhere Dropbox works including Mac, PC and Linux platforms.
Flawlessly Fits Your Workflow
Whether you’re a major television studio delivering upfronts, a movie studio delivering test screenings or final DCPs to theaters or a film festival seeking to simplify the delivery process, we instantly integrate DCP delivery with one-click ease.
Friends of AutoDCP
The folks at AutoDCP love our friends. We are actively working towards building a community of cloud based production and post production services. Here you will find other people and services which compliment AutoDCP and our vision.
Activate AutoDCP now!
By clicking the button on the right a new drop folder, “apps/AutoDCP” will appear within your DropBox account. Simply drag your QT’s into this folder to automatically create a DCP.
Filmmakers, tips and stories.
Bruce Logan Chroma Key Matting Greenscreen Tips
folder_open Bruce Logan, DP Corner
Greenscreen Chroma-Key Matting Tips & Tricks Greenscreen Basics Simply put, greenscreen or bluescreen matting is for combining two different images, shot at different times, and make them appear to be one shot. Very often we are just putting a person…
5 Things You Missed at NAB 2016 – Bruce Logan ASC
folder_open Bruce Logan, DP Corner
5 Things You Missed at NAB 2016 I took my annual trek through the Mojave Desert to the Mecca of technology in Las Vegas to attend NAB 2016 – the tradeshow where “content comes to life!” This is where I…
How long does it take to make a DCP?
folder_open Help
AutoDCP is probably the fastest DCP encoding service in the professional post production world today. Although you may expect rapid service if you are Martin Scorsese, most filmmakers can expect to wait 3 to 5 days for a post…
How to Make a DCP for Free.
folder_open Help
Did you know you can make a DCP for Free with AutoDCP? It’s pretty easy, just follow these steps. If you have not yet registered for AutoDCP please register by clicking the install button. This creates a folder in your…
Who’s in control, the DP or the Colorist?
folder_open Bruce Logan, DP Corner
Who’s in Control, the DP or the Colorist? Is the Director of Photography still the sole “Auteur of the Image?” I would say not. At best, in the digital age, the DP shares this creative role with the Colorist. I…
6 Rules of Film Set Etiquette
folder_open Bruce Logan, DP Corner
Film Set Etiquette: 6 Rules for When to Speak and When to Shut Up Nothing speaks more to your professionalism than the way you conduct yourself on set. I can’t tell you how many times I have cringed for certain…
HDR (High Dynamic Range) – Bruce Logan
folder_open Bruce Logan, DP Corner
HDR (High Dynamic Range): From Too Bright to Just Right Really Seeing with HDR It seems like every year there’s a new buzz word at NAB. One year everyone had a new camera crane… then everyone had a 3D rig……
TV Commercial Director – Part 2: The Agency
folder_open Bruce Logan, DP Corner
So You Want to Be a TV Commercial Director – Part 2: The Agency As promised, we’re going to continue our lighthearted view of the commercial production business. This time we’ll take a look at: The Agency Never forget, no…
Look This Way – Quality Active
folder_open Charles Flynn, Theater Engineering
There is a lot of light out there, and such a small amount of eye to tell you what is going on. This is a story about some of that magic. Because it is not just one or two little eyes, but 40…
Too Loud, Because Distortion – Quality Active
folder_open Charles Flynn, Theater Engineering
Sometimes turning the audio level down may be the correct response. But probably not most of the time. “Too Loud” might really be “Too Distorted” – something wrong with a speaker or amplifier. Or it might be “Too Loud For Your…