Perfect DCPs–Seamlessly Integrated
AutoDCP integrates seamlessly with Dropbox–just drag and drop. And AutoDCP works anywhere Dropbox works including Mac, PC and Linux platforms.
Flawlessly Fits Your Workflow
Whether you’re a major television studio delivering upfronts, a movie studio delivering test screenings or final DCPs to theaters or a film festival seeking to simplify the delivery process, we instantly integrate DCP delivery with one-click ease.
Friends of AutoDCP
The folks at AutoDCP love our friends. We are actively working towards building a community of cloud based production and post production services. Here you will find other people and services which compliment AutoDCP and our vision.
Activate AutoDCP now!
By clicking the button on the right a new drop folder, “apps/AutoDCP” will appear within your DropBox account. Simply drag your QT’s into this folder to automatically create a DCP.
Filmmakers, tips and stories.
How long does it take to make a DCP?
folder_open Help
AutoDCP is probably the fastest DCP encoding service in the professional post production world today. Although you may expect rapid service if you are Martin Scorsese, most filmmakers can expect to wait 3 to 5 days for a post…
Who’s in control, the DP or the Colorist?
folder_open Bruce Logan, DP Corner
Who’s in Control, the DP or the Colorist? Is the Director of Photography still the sole “Auteur of the Image?” I would say not. At best, in the digital age, the DP shares this creative role with the Colorist. I…
Teach Yourself To Be A Colorist by Bruce Logan ASC
folder_open Bruce Logan, DP Corner
Teach Yourself To Be A Colorist Following on from my rant about DPs losing control of their images, I’d like to share my journey through color correction with you, in the hopes of helping you teach yourself how to become…
It’s Like, Too Loud~! – Quality Active
folder_open Charles Flynn, Theater Engineering
The first instinct for controlling “Too Loud” in the movie theater is “Turn it down.” We drive to the movie theater. We pay for our ticket. We sit for a while in soft lighting (wondering if we’re going to be…
Common mistakes when making a DCP, a must read.
Here’s a short check list to insure your get the best you can out of AutoDCP. Depending on the aspect of your movie, make sure your source is of the right resolution. Here’s are the important numbers 2.39 Aspect (most…
Facebook Page Monitoring Tool
folder_open Dumb Tools
Dumb tool. Indy film facebook tool. Useful to help spread the word about your latest efforts. Facebook page monitoring tool, let’s you compare a page you manage as to which pages your page likes as well as if those pages…
TV Commercial Director – Part 2: The Agency
folder_open Bruce Logan, DP Corner
So You Want to Be a TV Commercial Director – Part 2: The Agency As promised, we’re going to continue our lighthearted view of the commercial production business. This time we’ll take a look at: The Agency Never forget, no…
8 Things to Consider When Choosing a Camera
folder_open Bruce Logan, DP Corner
8 Things to Consider When Choosing a Camera So you got the job – the Director loves you, and the Producer can tolerate you. Nice! Now what? You have to choose a camera. If you own the right one, then…
So You Want to Be a TV Commercial Director – Part 1
folder_open Bruce Logan, DP Corner
So You Want to Be a TV Commercial Director – Part 1 For the next couple of blogs I’m gonna take a light hearted look at commercial filmmaking for those of you that may be interested in a commercial directing…
HDR (High Dynamic Range) – Bruce Logan
folder_open Bruce Logan, DP Corner
HDR (High Dynamic Range): From Too Bright to Just Right Really Seeing with HDR It seems like every year there’s a new buzz word at NAB. One year everyone had a new camera crane… then everyone had a 3D rig……