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Contact

File a Support Ticket

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Can’t figure it out? File a support ticket by clicking the below button.  Please note you’ll need to be a registered user. Create a Support TicketYoutube Videos on AutoDCPTopics for FilmmakersTopics for FestivalsinfoHelp Topics — For FilmmakersinfoHelp Topics — For…

Quick Start Guide

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Go to autodcp.com and click on “Activate”.  Here’s a shortcut to the button.   (NOTE: You’ll need a Dropbox account to use AutoDCP.) Once you’ve successfully activated AutoDCP, the Dropbox will create an AutoDCP folder in your Dropbox account  (Dropbox/Apps/Autodcp.) …

Basic 5 Steps to Using AutoDCP

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Covered Items What is a DCP and why are they used?  FilmMaker Tutorials Requirements Activating Making a DCP Copying a previously made DCP into your Dropbox account Delivering a DCP to your Festival (all filmmakers must complete this step) Showrunner…

Has my festival received my DCP?

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If you use AutoDCP eDelivery to send your DCP to a festival it will send you an email receipt confirming the delivery. You can also confirm receipt by the following: Log into your AutoDCP account Go to your User Account…

edelivery

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AutoDCP Digital Delivery Serivces. Overview Studio Supported Services Paypal Subscription & Canceling Key benefits e-delivery is a monthly subscription service use it to delivery your DCP’s to supporting festivals free DCP redo’s no questions asked.   If you need to redo…

Source Requirements for Theatrical Playback

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Best practices Making a DCP with AutoDCP is easy.   Take your source, drop it in your dropbox account and voila your source is converted into a DCP for playback at any DCI equipped theater.   AutoDCP supports many source formats, and…

Common mistakes when making a DCP, a must read.

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Here’s a short check list to insure your get the best you can out of AutoDCP. Depending on the aspect of your movie, make sure your source is of the right resolution.  Here’s are the important numbers 2.39 Aspect (most…

HDR (High Dynamic Range) – Bruce Logan

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HDR (High Dynamic Range): From Too Bright to Just Right Really Seeing with HDR It seems like every year there’s a new buzz word at NAB.  One year everyone had a new camera crane… then everyone had a 3D rig……
Brian Quandt

Kate McCallum

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Kate McCallum Boardmember Producer/Content Strategist/Writer. Kate spent 20 years at NBC Universal and Paramount working in film and TV development and production, and is now an award-winning producer working in multiple media formats. She is a member of the PGA:…

Lighting In The Digital Age

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Lighting In The Digital Age Back In The Day… Because cameras, lenses and film-stocks used to have pitifully slow EI (exposure indices, ASAs, ISOs) it used to be necessary to add a lot of light to a motion picture shot…
Brian Quandt

QuandtBio

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Brian Quandt Entertainment Engineering Executive For over two decades Brian Quandt has served as a pioneer of visual and interactive technologies and businesses. He put his considerable entrepreneurial and  engineering expertise to work developing new technologies and award winning products…
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